Many of the shots of the eldest brother are peeping in the corners or through the barriers, his work, words and deeds according to the rules, showing his tolerance and dullness. The second sister's shots are all working sullenly, and silence is her character. Most of the youngest's personal shots are on high ground or mid-air, showing his high and unfounded heart. Because of money and desire, everyone is carrying secrets and scars, and the two reunion dinners that the third child has just come and head away are also very different. The sister-in-law's pursuit of perfection is also the reason why she could not get it and made the wrong choice unwillingly. Every time his brother-in-law chooses and bets, he is speculative. There is also his father's insightful eyes, straightforward and subtle teaching, which is the wisdom that has lived for most of his life, but he also regretted his life for his young faults. What exactly is father's agarwood? Probably it was the experience he taught his children and everything. It's not good enough to point out by narration. The little climax scenes, the scenes on the father's radio, etc. are just right. There are also a few rains, which are also very conceptual and metaphorical. They are sudden changes and washes. The transition is a bit blunt, but I like the language of the film too much, so give me a star!
Fri Nov 13 2020